“A man that don’t take care his family can’t be rich,” he raps on “Family Feud,” and for “Legacy” he bequeaths his daughter Blue Ivy his stake in the record company Roc Nation. Jay-Z deftly connects his desire to achieve more than a quick buck with the album’s other themes, like fatherhood.
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At times, the song risks clunkiness with financial-planning case studies about investing in appreciating assets (real estate and fine art, rather than cars), and it’s hard not to wince when he asks, “You ever wonder why Jewish people own all the property in America?” His point is that one marginalized group can learn from another, and the bottom line is all-American: “Financial freedom my only hope / Fuck livin' rich and dyin' broke.” 4:44 is a blockbuster event whose full dissection will take a good while. Jay-Z compares that shortsightedness to drug dealers risking their lives over turf that they don’t even own, and to rappers who sign away control of their careers. Simpson, the implication goes, wrongly thought his own success would exempt him from the reality of race in America. Simpson’s famous claim “I’m not black, I’m O.J.” with a curt, skeptical “okay” (his delivery is so perfectly nonchalant that it’s worth immediately rewinding). The powerful and melancholy “The Story of O.J.” attacks this idea head-on. “My parents ain’t have shit, so that ship started with me.” “Generational wealth, that’s the key,” he says on the closer, “Legacy,” which is essentially his will and testament in song form. But for 4:44, he consolidates his thinking on the link between material success and racial inequality with some big-picture, long-term prescriptions. Hip-hop’s materialist streak has always been tied to black struggle, and Jay-Z has long rapped about his hustling-whether as musician, businessman, or drug dealer-as a reaction to growing up poor and under threat. This confessional thread is remarkable on its own, but it also serves as a headline-baiting advertisement that helps to spread 4:44’s deeper message about commerce and racial progress.
The mysterious video of his sister-in-law attacking him in an elevator? In 4:44’s first track, he expresses remorse for having “egged Solange on.” His increasingly tense relationship with Kanye West? They’re officially on the outs, with Jay-Z suggesting that his onetime protégé and friend is “insane.” There’s even a revelation that Jay-Z’s mom is a lesbian: “Had to hide in the closet, so she medicate / Society shame and the pain was too much to take.” Lemonade’s implication that Jay-Z cheated on Beyoncé? Confirmed, and heartily apologized for, on the title track.
The hip-hop veteran No ID produced the album’s 10 tracks, using chopped-up soul samples and crisp rhythms for controlled, bittersweet soundscapes that foreground the lyrics.
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When a Hit Musical Becomes a Bad Movie David Sims It’s the thoughtful refinement of a career-long argument that Jay-Z has made: that for him, making huge bucks serves a greater good. But 4:44, Jay-Z’s best album in a long time, tries to answer those concerns. Many music listeners are, understandably, squicked out when an artist so enthusiastically links their work to corporate interests.
His list of corporate partnerships over the years is lengthy, and Sprint is the third separate phone company through which he’s released an album. “Sprint allows for and promotes creative freedom.”įinding virtue in what appears to be selling out has, of course, long been part of Jay-Z’s package. “This is a perfect storm of sharing music with fans,” he said in a press release. To any would-be listeners annoyed at this situation, Jay-Z’s spin on the matter may not help things. Simply signing up for Tidal, the streaming service co-owned by Jay-Z and a number of other superstar musicians, won’t do it-you need a Sprint contract as well.
If you were not a Tidal subscriber or Sprint customer as of June 26, you’ll need a new phone plan to play Jay-Z’s new album, 4:44, this week.